Person

Simon Njami

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From Wikipedia

Simon Njami (born 1962 in Lausanne) is a writer and an independent curator, lecturer, art critic and essayist.

Career

Writing

Njami published his first novel, Cercueil et Cie, in 1985, followed by Les Enfants de la Cité in 1987, and Les Clandestins and African Gigolo in 1989. He has written biographies of James Baldwin and Léopold Sédar Senghor, several short texts, scripts for cinema, and documentary films.

Njami is the co-founder of Revue Noire, a journal of contemporary African and extra-occidental art, and he was visiting professor at the University of California, San Diego.

Curator

After conceiving the Ethnicolor Festival in Paris in 1987, Njami curated many international exhibitions being among the first ones to think and show African contemporary artists work on international stages. He has served as artistic director of Bamako Encounters, the African Photography Biennale, from 2001 to 2007. Njami is the curator of Africa Remix, shown in Düsseldorf (Museum Kunstpalast), London (Hayward Gallery), Paris (Centre Pompidou), Tokyo (Mori Museum), Stockholm (Moderna Museet) and Johannesburg (Johannesburg Art Gallery), from 2004 to 2007. He co-curated the first African Pavilion at the 52nd Venice Biennale. He curated the first African Art Fair, held in Johannesburg in 2008, and was the artistic director of Luanda Triennale (2010), Picha (Lubumbashi Biennale – 2010), SUD (Douala Triennale – 2010), among others exhibitions and international art events.

Njami's exhibition The Divine Comedy – Heaven, Hell, Purgatory by Contemporary African Artists was shown at MMK (Museum für Moderne Kunst, Frankfurt am Main) in 2014, SCAD Museum of Art in 2015 and at the Smithsonian Institution/National Museum of African Art, Washington, DC, in 2015.

Njami was the artistic director of the Edition 12 of Dak'art, the Dakar Biennale, in Senegal in 2016 and the Edition 13 of the Dakar Biennale in 2017. He curated Afriques Capitales in La Villette (Paris) and Gare Saint-Sauveur (Lille), in France, in 2017.

Njami is currently directing AtWork, an itinerant and digital project with Lettera27 Foundation, in partnership with Moleskine, as well as the Pan African Master Classes in Photography, a project that he conceived with the Goethe Institute.

Njami is the Art Adviser of the Sindika Dokolo Foundation (Luanda) and the artistic director of the Donwahi Foundation (Abidjan) and member of the scientific boards of numerous museums.

Jury work

After having been invited to be part of numerous art and photography juries, such as the World Press Photo contest, Njami served on the judging panels that chose Lawrence Abu Hamdan for the Edvard Munch Art Award in 2019 and Ashfika Rahman for the Future Generation Art Prize in 2023. In 2023, he was briefly part of the six-person search committee for an artistic director of Documenta’s 2027 edition but resigned shortly after.

Publications by Njami

Cercueil et Cie, novel, Paris: Lieu Commun, 1985

Les Enfants de la Cité, novel, Paris: Gallimard, Folio Junior, 1987

African Gigolo, novel, Paris: Seghers, 1989

Les Clandestins, novel, Paris: Gallimard, Folio Junior, 1989

James Baldwin ou le devoir de violence, biography, Paris: Seghers, 1991

C'était Senghor, biography, Paris: Fayard, 2006

La Mécanique des souvenirs, Paris: JC Lattès, 2024

Exhibitions (selected)

"I've been abducted hundreds of times", a solo show by Gosha Ostretsov, curated by Simon Njami, Venice Biennale, Palazzo Nani Bernardo, May–June, 2017.

Afriques Capitales, La Villette, Paris, and Gare Saint-Sauveur, Lille, France, March - September, 2017.

The City in the Blue Daylight, Dak'art, The Dakar Biennale, 2 May - 3 June 2016

Santu Mofokeng, Mets Solo, Fondazione Fotografia Modena, March 2016

Something Else, Off Biennale Cairo, 2015

Après Eden, Maison Rouge, Paris, 2015

Xenopolis, Deutsche Bank KunstHalle, Berlin, 2015

The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, MMK (Museum für Moderne Kunst), Frankfurt am Main, 2014 - SCAD Museum, Savannah, USA, 2014-2015 - Smithsonian Institution/ African Art Museum, Washington, 2015

WIR SIND ALLE BERLINER: 1884–2014, SAVVY Contemporary, Berlin, Germany, 15 November 2014 – 28 February 2015

Portrait of Marrakech, Magnum Photos and Marrakech Museum for Photography and Visual Art (MMP+), 2013

Art at Work, co-produced by the Palais des Beaux-Arts, Brussels, co-curator with David Adjaye, Kampala, Ouganda, 2012.

Dokolo/Revue Noire Collection, Bamako encounters, 2011

Moataz Nasr, Chain reaction, Chateau de Blandy, France, 2011

Art at Work, co-produced by the Palais des Beaux-Arts, Brussels, co-curator with David Adjaye, Ouagadougou, Addis Ababa, 2010

A Collective Diary, Herzilya Museum, Israel, 2010

Fiction#3, Bili Bidjocka, Abbaye de Maubuisson, France, May 2010

A useful dream, Palais des Beaux-Arts, Brussels, June 2010

As you like it (First African contemporary art fair), Johannesburg, March 2008

Artistic director of the Luanda Triennale, sept/dec 2010

Artistic Director of Picha (Lubumbabshi biennale), Oct 2010

Artistic director of SUD (Douala triennale), dec 2010

Ordinary pain, Noorderlicht festival Groningen, September 2009

Made in Africa, The Dokolo Collection, National Museum, Nairobi, 2009

Beyond the Desert, Darb 1718, Cairo, 2009

Co-curator of the First African Pavilion at the 52e Venice Biennale, 2007

The Invention of memory, Réunion Island, September 2007

Chief curator of the VIIe Rencontres de Bamako, November 2007

L'image révélée, Tunis, 2006

Cities scape, ARCO 2006

Chief curator of les Rencontres africaines de la Photographie, Bamako, 2005

Africa Remix, Düsseldorf, Londres, Paris, Tokyo, Stockholm, Johannesburg, 2004/2007

Un prisme lucide – photographies, Biennale de São Paulo, São Paulo, 2004

Chief curator of les Rencontres africaines de la Photographie, Bamako, 2003

Up and Coming, ARCO, Madrid, 2003

Co-commissaire de Next Flag, Bruxelles, Zürich, 2002

Chief curator of les Rencontres africaines de la Photographie, Bamako, 2001

Le temps de l'Afrique, Las Palmas, 2000, Madrid, 2001

Biennale d'Art contemporain de Dakar (co-curator), Dakar, mai 2000

L'Afrique par elle-même, photographies (co-curator), Paris, São Paulo, Londres, Bamako, Washington, Berlin, Cape Town, 1998/1999

Traces of Identity, photographies, Toronto, 1997

Suites Africaines (co-curator), Couvent des Cordeliers, Paris, 1997

Die Andere Reise, Vienne, 1996

Otro Pais, Las Palmas, Palma de Majorque, Barcelone, 1995

Paris Connection, Paris/San Francisco, 1991

Ethnicolor, Paris, 1987

Texts and co-editions (selection)

Ethnicolor, edited with Bruno Tilliette, Autrement, Paris, 1987

"El Anatsui, un artiste sur le fil de l'histoire", in El Anatsui, A Sculpted History of Africa, October Gallery, Saffron Books, London, 1998

Remembrance of things Past, Ten years of debate about African Contemporary Art, Tobu Museum of Art, 1998

Co-editor and co-author of Rotimi Fani-Kayodé et Alex Hirst, Photographs, Revue Noire/Autograph, Paris/Londres, 1996

Co-editor of Pierre Verger, Le Messager, photographies, Revue Noire, Paris 1993, DAP, New York, 1996

Co-editor and co-author of the Anthology of African Photography, Revue Noire, Paris, 1997, DAP, New York, 1999

"L'invention de la vie", in Peut-on être vivant en Afrique, Presses Universitaires de France, 2000

"Der Kurator als Nackter König, Kontextualisierung und Dekontextualisierung", in the catalogue South meets West, Kunsthalle Bern, 2000

"Les Spores de l'étamine", in the catalogue of the exhibition Afriques, Barcelona, 2001

"Chroniques d'un millénaire / Chronicles of a Millennium", introduction au catalogue des IVè Rencontres de la Photographie Africaine de Bamako, Eric Koehler, Paris, 2001

Pascale Marthine Tayou, Between himself and the Other, with Pierre-Olivier Rollin, text for the documenta 11, published by the Communauté Wallonie-Bruxelles, 2002

Das doppelte glück der sanftmut und der bitterkeit, in the catalogue of Africa Apart, NGBK, Berlin, 2002

A certain View of Mankind, for the exhibition Portraits of Pride, Samuel Fosso, Seydou Keita, Malick Sidibé, Moderna Museet Stockholm, Raster Forlag, 2002

Cronicas del hijo de un siglo, Espacio C, Camargo, 2002

El Corazon de las luces, in Planeta Kurtz, Random House Mondadori, Barcelona, 2002

Jane Alexander, A Turbulent Silence, introduction to the catalogue of Daimler Chrysler Award, Hatje Cantz, 2002

Co-curator and co-author of BLINK, photographies, Phaidon Press, London, 2002

Co-editor and co-author of the Antholoy of XXth Century African Art, Revue Noire, Paris, 2001, DAP, New York, 2002

Lettre à une jeune fille, in Babylon Babies – Marie-Jo Lafontaine, Hatje Cantz, 2003

Memory in the Skin, Looking both Ways catalogue, Museum for African Art, New York, Snoeck, Gent, 2003

Mozart and Me, Fernando Alvim – the Psychoanalysis of the World, Ingrid Mwangi, 2003

The End of the Empire, catalogue de l'exposition Happiness, Mori Art Museum, Tankosha Publishing Co, Kyoto/Tokyo, 2003

Le mystère révélé/ The Mystery revealed, introduction au catalogue des Ve Rencontres de la Photographie Africaine de Bamako, Eric Koehler, Paris, 2003

Zineb Sedira, An Assumed Autobiography, Corner House, London, 2004

A Young Woman in Quest, the work of Loulou Cherinet, catalogue Biennale de Sydney, 2004

Chaos et Métamorphose, introduction à l’exposition Africa Remix, Hatje Cantz, 2004

Claude Rosticher : la poésie à l’œuvre, Monaco, 2004

Editor of L’Afrique en regards, une brève histoire de la photographie, Filigranes, Paris, 2005

Amal Kenawy, catalogue de la Biennale de Sydney, 2005

L'image révélée, catalogue of exhibition, 2006

Introduction to Youssef Nabil's works (catalogue), 2007

Introduction to Ghada Amer's works, 2007

Introduction to Moataz Nasr's works (catalogue), 2008

Introduction de Andrew Tshabangu's works (monograph), 2008

Introduction to Ingrid Mwangi's works (catalogue), 2008

The constant Gardner, an introduction to Mechac Gaba's work, 2009

Un mystère à conserver (on the French photographer Laurence Leblanc.), 2009

Une illusion sophistiquée (on the Ethiopian photographer Aida Muluneh), 2009

Street Urchin, works by Kiluanji Kia Henda, Steidl, Germany, 2010

Dorian Gray in Bangui, works by Samuel Fosso, La Fabrica/Revue Noire Publishers, France, Spain, 2010

Me and Ms A., Exhibition book of Jane Alexander's works, 2010

Yinka Shonibare, MBE : le masque transparent, Exhibition book of Yinka Shonibare's Works, Nouveau Musée National de Monaco, 5 Continents, 2010

Editor of the artist's book, Moataz Nasr, The other Side of the Mirror, Gliori publishers, 2010

Samuel Fosso, a dandy in Bangui, Revue Noire/La Fabrica, 2011

The Impudence of the Stars, in Light Years, an exhibition of the Spanish artist Eugènia Balcells, Edicions de l'Eixample, Barcelona, 2012

The Re-enchantment of the World, an introduction to the work of the Congolese artist Pume, Revue Noire, Paris, 2012

Stabat Mater, an introduction to the work of the Haitian artist Mario Benjamin, Revue Noire, Paris, 2012

Fictional Faculties, IUAV, University of Venice, Venice, 2012

Invisibility, Fondazione di Venezia, Venice, 2012

Sam Nhlengethwa, Variations on a thème, 2012

Ananias Léki, Fragments, Goethe-Institut Nairobi, 2012

Allons enfants !, in Intense Proximité, Une anthologie du Proche et du Lointain, La Triennale, 2012

Of Curating and Audiences/ Art at Work, 2012

Zwelethu Mthethwa, a contemporary myth, Revue Noire/La Fabrica, 2012

Issa Samb (The stranger), Word ! Word ? Word !, edited by Koyo Kouoh, Office for Contemporary Art Norway (OCA) and Raw Material Company, 2013

Imagined Communities, in Condition Report, Symposium on Building Art Institutions in Africa, edited by Koyo Kouoh, Hatje Cantz and Raw Material Company, Dakar, 2013

The Burst of Silence, in Deutscher Pavilion 2013, 55th International Art Exhibition, edited by Susanne Gaensheimer, Gestalten, 2013

"Heaven can wait", introduction to the catalogue of the photographer Thabiso Sekgala, 2014

Le cœur absolu, on the V12 Laraki by Eric Van Hove, monograph, Marrakech, 2014

Le prince à la tour abolie, Thierry Fontaine, L'invention d'une île, 2014

Untranquil Serenity, in Mehdi-Georges Lahlou. Confused Memory. Paris: Éditions Lord Byron, 2023

Cinema and documentary films

Balck Micmac (collaboration), a film by Thomas Gilou, 1986

Black Power, Black Music: a documentary film in a thematic evening written and directed with Jean-François Bizot, Arte, 1994

Le complot d'Aristote (screenplay), a film by Jean Pierre Bekolo, 1996

Lhoooby, documentary on African Contemporary Art, co-directed and written with Pascale Marthine Tayou and Jean-Loup Pivin, Arte, 1997

Le Président, a film by Jean Pierre Bekolo, 2013

Text from the Wikipedia article “Simon Njami”, revision of 13 September 2026, available under the Creative Commons Attribution-ShareAlike 4.0 licence. Wikipedia is written by volunteers; check important facts against the sources it cites.

This record is provisional: it was compiled from the cited sources but has not yet been checked by an InsideKamer editor.

Sources

  1. 1.
    Simon Njami
    WikidataLast verified: 23 October 2026
  2. 2.
    Simon Njami
    Wikipedia (English)Published 13 September 2026Last verified: 23 October 2026
  3. 3.
    Simon Njami
    Wikipédia (français)Published 24 September 2026Last verified: 23 October 2026